ANTHONY HOLBORNE/ Jordi Savall/ Hespèrion XXI/
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 5 STARS
The teares of the muses
THE TEARES OF THE MUSES
The teares of the muses


ANTHONY HOLBORNE

Jordi Savall

Hespèrion XXI

Alia Vox AV 9813
1999 - 66:13 min.


Anthony Holborne is surely the among the most companionable of all Elizabethan composers - a Haydn to his friend Dowland's Mozart. And analogies do not stop there. Like Haydn this cultivated musician and diplomat has surely suffered from an utterly misplaced reputation as a less than serious composer, in this instance as a composer of attractive dances whose music lacks the profundity of Dowland's. Drawing on Holborne's superb collection of Pavans, Galliards and Almaines published in London in 1599, Jordi Savall and Hespèrion XXI provide an effective lie to such notions by including some of Holborne's most eloquent and deeply-felt pavans. Indeed, one need play no further than the ineffably beautiful performance of Bona speranza with which the disc opens to be drawn into a world of total inner contentment.

Would that it were all like that, but as often with Savall there's a serious problem. As happened with his previous disc of Elizabethan Consort Music (AV 9804), Savall has here seen fit to add spurious percussion parts to many of the pieces (actually more than the track listings suggest). While I can just about cope with some of Pedro Estevan's gentle percussion additions, his drumming in such pieces as the Infernum and The Funerals is maddening in the extreme. This is not a purist matter; the music is diminished by such crude effects and I'm amazed that a musician of Savall's sensitivity and stature seems unaware of the fact. For me it wrecks what would otherwise have unquestionably been a contender for one of the records of the year. The rating is evaluated on a basis of performances that warrant between one and five stars. BRIAN ROBINS

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