These movements encapsulate many qualities of the set as a whole: expansive tempi; varied approaches to registration, rhythm and phrasing, giving each section a unique interpretation; improvisatory freedom; and rhythmic flexibility, which sometimes compromises continuity and momentum.

The combination of expansiveness and freedom is particularly evident in most allemandes and sarabandes. At times (e.g., the allemandes of the first, second and fourth Partitas), I would prefer a more robust, energetic approach. There is, however, something compellingly poetic about Suzuki's hesitant lyricism; it draws the listener in and encourages attentive listening.