ALFONSO X EL SABIO/ Alla Francesca/
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Medieval
Renaissance
Baroque
Clasicism
Opera

 5 STARS
Cantigas
**
CANTIGAS
Cantigas


ALFONSO X EL SABIO

Alla Francesca

Opus 111 OPS 30-308
1999 - 64:24 min.


The Cantigas de Santa María by Alfonso X the Wise constitute one of the greatest contributions to the cultural world of the thirteenth century and one of the greatest monuments of Medieval music. Alla Francesca's performance of 17 cantigas has its high and low points. On the one hand are the cantigas performed with voices and instruments, 11 in total, and on the other, those performed instrumentally. Sensibly, the performance avoids reminders of Moslem music, often employed by other groups, and which border on provocation in a repertory devoted to the Virgin. Alla Francesca's Cantigas sound like Medieval monody rooted in the deepest European tradition, which is what they are.

There is nothing wrong with the cantigas being performed with instruments, as long as they are well orchestrated, entertaining and are nothing more than a counterpart to the other sung cantigas. And herein lies the problem. Firstly, often one cannot understand what is being sung because the Galician-Portuguese texts, the language in which the cantigas were written, are not pronounced correctly. In a troubadour-like repertory, the text is fundamental, and if it cannot be understood, the piece falls apart, however imaginative the performance may be.

Secondly, it is unclear why many cantigas are sung by two alternate performers, instead of by an individual soloist, who is answered by the chorus singing the refrain. Little is known about how Medieval music was performed, but the troubadour repertory was definitely sung by a solo voice, with or without a chorus. MARICARMEN GOMEZ

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