Leonora: Baroque Women IX Duarte, composer, biography, discography
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COMPOSERS
Marc-Antoine Charpentier
Leonora Duarte: Baroque Women IX
INTERVIEWS
Frans Brüggen
10 CDs for a desert island : Véronique Gens
ESSAYS
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COMPOSERS
Duarte, Leonora: Baroque Women IX
COMPOSERS
LEONORA DUARTE: BAROQUE WOMEN IX
The words of the time tell us something about the high quality of the music heard in the Duarte palace, described in the Huygens correspondence as the “Antwerp Parnassus.” One commentator even went so far as to state that “music heard there sounded better than at the house of Monteverdi in Venice.” Luckily one needs not only imagine the sound of the music presented in the Duarte circle, for Rasch’s article also points to a set of pieces composed by Leonora Duarte: a set of Symphonies for viola da gamba consort, which have been preserved in Oxford’s Christ Church Library (manuscript 429). While we cannot tell as much about the musicianship of Leonora Duarte as about Francisca from the Huygens correspondence, her compositions as well as a letter addressed to her and published in 1664 by Margaret Cavendish, Marchioness of Newcastle (1624-74), reveal the remarkable intellectual and musical abilities of the eldest Duarte child. The British references to the Duarte family name corrupt the spelling to one that seems quite Dutch in orthography: Dewerts.

We have seen that the Duarte family circle offered an important locus for music making throughout most of the 17th century, providing a place for magnificent performances of music as well as a kind of clearing house for the appreciation and dissemination of recent music. When the last family member, Diego Duarte, died without successors in 1691, there was only one relative left to execute his will and to sell the quantities of art objects in their home. Between 1692 and 1697, Manuel Levy Duarte of Amsterdam had to move to Antwerp in order to close the estate. It was as if an artistic El Dorado had vanished. Let us hope that one day some of Leonora Duarte’s viola da gamba symphonies might not only be heard again, but also recorded, so as to offer a remembrance of the magnificent music that sounded at the palace in the Antwerp Meir.

Biography
Work catalogue
Discography
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