Orthodox chant
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Orthodox chant
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ORTHODOX CHANT
Orthodox chant
By Ivan Moody
It is not surprising to read that, according to the chronicles, it was the beauty of the liturgy which attracted the attention of Prince Vladimir’s emissaries to Constantinople in the 10th century. “We did not know whether we were in Heaven or on earth”, they said after attending a celebration at Aghia Sophia.

Liturgical art in Orthodoxy is an expression of prayer, which in turn is a means of living eschatologically, ever conscious of the Revelation (Apokálypsis in Greek): the transfiguration of our everyday lives in order to prepare the coming of the heavenly Kingdom. Without bearing this in mind, it is impossible to understand the essence of Eastern Orthodox art, or to understand quite why their visit to the City (as Constantinople was traditionally known) made such an impact on the two Russian visitors that in 988 the Grand Duke of Kiev, Prince Vladimir, chose to be baptised into the Orthodox Church.

The aim of this article, in the absence of easily accessible general books on the subject, is to provide a brief introduction to the chant of the Orthodox Church, principally as found in the Greek and Russian traditions, and to explain something of its ethos, background and development with reference to currently available recordings.

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