Having a conversation with Hiro Kurosaki is rather like attending one of his concerts: an endless stream of musical and philosophical concepts, intuitions and revelations.
He talks to us with humility, clarity and good humour, about his vision for early music, of the music of Handel and Mozart, of his projects and dreams, and of how to combine all the disparate staging disciplines into a unified workshop for Baroque opera, an artistic ideal in keeping with that of Wagner, one of the composers who has left his mark on this technically prodigious, free-spirited and very effective communicator. |
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